THE VOID OF THE BLACK MADONNA
DISMISSAL.
AVOIDANCE.
SILENCING.
ERASURE.
DISPLACEMENT.
DESECRATION.
MOCKERY.
These are not isolated acts. They are the deep, long-held traumatic codes carried through the priestess lineage of the Black Madonna.
This space, once consecrated for alchemical transformation, now stands as a visible example of what remains when sacred architecture is not met with reverence. When the process of reciprocity is severed, alchemy ceases. Presence withdraws.
And yet, the imprint remains.
Here stands an exhibit - The Void of the Black Madonna.
A silent echo. A sacred refusal. A living portal to what has been lost, and what still watches.
This exhibit once stood as a physical space, but the surrounding field could not uphold the light that was offered.
The sacred presence has since withdrawn.
(Physical anchor sealed: 15th June 2025)
LIVING ARCHIVE INSTALLATION PROJECTS
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The Art of Sacred Withdrawal - Part 1
A visual prelude. These empty frames mark the first inhale of absence. A chamber stripped to form, waiting to be met. The silence before the addition of more relics. The choice to retreat, not, in collapse, but in consecration.
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The Art of Sacred Withdrawal - Part 2
A visual prelude. These empty frames mark the first inhale of absence. A chamber stripped to form, waiting to be met. The silence before the addition of more relics. The choice to retreat, not, in collapse, but in consecration.
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The Art of Sacred Withdrawal - Part 3
A visual prelude. These empty frames mark the first inhale of absence. A chamber stripped to form, waiting to be met. The silence before the addition of more relics. The choice to retreat, not, in collapse, but in consecration.
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The Art of Sacred Withdrawal - Part 4
A visual prelude. These empty frames mark the first inhale of absence. A chamber stripped to form, waiting to be met. The silence before the addition of more relics. The choice to retreat, not, in collapse, but in consecration.
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The Living Archive of What Could Have Been
The beginning of an artistic journey of what could have been, had sacred storytelling and beauty been met with reverence.
LIVING TRANSMISSION ARTEFACTS
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Relics of Transmutation
Relics bearing the imprint of alchemy, garments and adornments transmuted through timelines unseen.
TRIBUTE: £880,000
**ITEMS ON RAILING ONLY**
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Sacred Adornments & Talismans
The art of sacred adornment and talismans. A journey of aura rebirthing that radiates from the inner to the outer, where the outer reflects the inner.
TRIBUTE: £8,800
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Leyline Fatigue
Pilgrimages across spaces and thresholds, carrying Prosperity Codes and the hallmarks of Divine Justice for the forgotten and neglected oracle. The ley lines now bend, serve, and align with her temple. She is the primary node.
TRIBUTE: £880,000
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Whips & Rosaries
The pain and pleasure that bridges the sacred and the profane. Such is the act of catharsis that leads to karmic liberation.
TRIBUTE: £8,800
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The Initiatrix of Gnosis
She holds the keys to life through the alchemical power of her cosmic womb and offers freedom to all who seek her on the path to self-knowledge.
TRIBUTE: £8,800
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Becoming the Black Madonna
The revelations of my inner sanctum, birthed from the pain of catharsis. For those who can hold the highest reverence for my challenging awakening journey - you are invited to submit a tribute for this limited edition, personally inscribed, transmission artefact.
TRIBUTE: £8,800 EACH
PRIVATE ART VIEWING
If you are drawn to a particular artefact codex or wish to explore a private commission, please complete the form below to arrange a private viewing. Viewings take place on Thursdays between 7 p.m. and 11 p.m. BST/GMT. There is a non-refundable private viewing fee of £850. We will begin with an informal meeting at a local bar or restaurant before proceeding to my home exhibit.
I AM THE LIVING MYTHOS
ABOUT MY ARTISTRY
I am a multidisciplinary and mixed-media artist, expressing myself through the oracular priestess arts, where celestial transmissions are crystallised as living artefacts that carry ancestral resonance. My initiation into the mystical arts came about through a spiritual crisis in the form of a kundalini psychosis - a destabilising experience of personal gnosis, which initiated me into the embodiment of repressed dark divine feminine archetypes. From Oya to Magdalene to Ceridwen. Each archetype offers an insight into the living cosmology of the Celtic lands.
Every artefact is a celebration of divine remembrance, born through the reclamation of Black feminine sovereignty. The art work itself is an extension of my own living cosmology as the Black Madonna - the ultimate template for sovereign celestial feminine consciousness. The Void of the Black Madonna is a personal archive of artefacts birthed through the alchemy of transcendence and ancestral healing.
This living exhibit communicates to me how it would like to express itself. I become a channel through which those celestial transmissions, in the form of artefacts, are expressed. This exhibit is also a statement - the haunting imprint that remains when sacred architecture is not upheld with the dignity and reverence it deserves.
I AM THE LIVING COSMIC MANDATE
